Tag Archives: bell hooks

Black History Month: Another side of Hip-Hop

14 Feb

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Negative stereotypes of Blacks are a staple of Black music videos that glorify gangsterism. In Rap music and videos, the minstrel-show plantation has been born again as the “hood.” While the setting has changed from an idyllic plantation to the mean streets of urban America, the process is the same: a black culture is being marketed for profit, with black performers portraying negative stereotypes. Performers claim that they represent authentic black America, while critics decry the glorification of ugly caricatures and its effects on Black youth.

Black-face.com

I’ve had some things on my mind lately, Black History Month (BHM), and a lecture I attended a few weeks ago, by masculinities author and sociologist, Michael Kimmel. By fortunate chance, I recently came across  The Black Man Can, an initiative to actively promote a positive black male image by Brandon Frame, who has helped immensely with this year’s BHM articles.

I read a couple of posts on Brandon’s site that really grabbed my interest: Is Commercial Hip-Hop the New Blackface? by Sharif Rasheed, who suggests Hip-Hop culture as a caricature of African-American youth, and the fabrication and absorption of the Hip-Hop stereotype in black youth culture in When Posing Goes Wrong: Ricky Rozay is not about that life. 

Now, as a white, Canadian woman of European descent with a love for Sam Cooke, but no understanding of Soulja Boy let alone Jay-Z, I was gobsmacked at what I read in Rasheed’s article: “Commercial Hip-Hop has become the blueprint for the streets for many of today’s youth. The lyrics tell them what to wear, how to talk, what to like and dislike. These ignorant lyricists are the slave masters that abuse young minds by whipping the oppression into them and hanging the glorification right on them.”

Glen Palmer, of The Gentlemen’s Standard, a site for distinctive men of colour, does not believe that the younger generation understands blackface, let alone black American history.

“The blackface concept still remains,” he says,“artists play to the lowest, stereotypical denominator and project an imagery that mainstream, white America believes people of color to be. The stereotypes have changed a little, as “bling” has been introduced into the equation, but the foundation is still there. Ignorant. Hyper-sexualized. Violent.”

It is alarming that young black men allow themselves to be molded into an antiquated stereotype via Hip-Hop, as is their frenzy to prove their manhood – the brand of masculinity devised by white, Judeo-Christian men.

Masculinity

In Michael Kimmel’s lecture, he explains the traditional pillars of manhood that originated in the mid-20th century that has left millions of men unable to feel, positively express themselves, and be genuine.

  1. “No sissy stuff.” In western patriarchal culture, anything associated with the feminine is a sign of weakness (an apparent cardinal sin). In Hip-Hop, rap artists often call each other out and accuse each other of weakness in their rhymes, using offensive language like “bitch nigga”,  keeping rivalries and feuds alive, and feeding the aggression that hip hop demands.
  2. “Be a big wheel.” Wealth, power, and status equals money, ice (bling), and sex in Hip-Hop culture – the spoils of white patriarchy.
  3. “Be a sturdy oak. Be reliable in a crisis/become an unfeeling inanimate object”. Glen suggested I watch Hip Hop: Beyond Beats and Rhymes, an excellent documentary by Byron Hurt. Hurt discusses the projected hardness in Hip-Hop that is ego-driven and encourages men to assert themselves. This  hardness “denies men their own frailty”, and exposes their masculine insecurities, camouflaged by violence, dominance, misogyny, and homophobia.
  4. “Give ‘em hell.”  Be daring, be aggressive, be violent. The projected Hip-Hop image encourages men to threaten and kill each other, abuse women, and endanger and intimidate those around them.

The way Hip-Hop has nestled into these dated (and very unnatural) masculine expectations is startling, but as Brandon says, young black men “lack positive self-identity or  positive identity development, and look for it in other forms like commercial Hip-Hop music. The images created by these artists is merely for entertainment but Black Boys do not see it that way. They see these images as reality…a reality they want to live and embody.”

Little white lies

The scariest concept around all of this stuff is that the Hip-Hop image is false.

The caricature of the rough, tough, dangerous gangsta rapper is projected by profit-generating record labels, run by white men in suits who decide who gets signed, and who they can peddle the blackface image to (largely young white men – 70% of Hip-Hop is consumed by this group).

In When Posing Goes Wrong: Ricky Rozay is not about that life, the author outs rap artist, Rick Ross, about the lies he’s been living. Black youth hears music about drug dealing, though many of them “have never even sold candy”, toting guns and murdering, though “a good number of us have never even fired a gun and for sure never killed anyone.

“Our youth listen to these lyrics from these beloved entertainers and take it as gospel. Many take the glorified side of street life as reality and they do not see the dangerous reality until it is too late.”

A new code of masculinity

In researching and writing for this post,  I’ve processed a lot of information and believe I have witnessed the ultimate in insult – the diminishing of human potential. We desperately need a new, healthy, positive definition of masculinity for young men and boys that promotes among other things, self-respect and respect for others.

What is and was needed is a vision of masculinity where self-esteem and self-love of one’s unique being forms the basis of identity. Cultures of domination attack self-esteem, replacing it with a notion that we derive our sense of being from dominion over another. Patriarchal masculinity teaches men that their sense of self and identity, their reason for being, resides in their capacity to dominate others.

– bell hooks, African-American feminist

The crime of emotional silencing

29 Dec

Sad news this week. While on holiday in Jamaica, Cathy-Lee Martin’s throat was slashed by her husband. The couple were experiencing marital problems and reports reveal that Ms Martin told her husband that she wanted to separate. The 43 year old Ontario school teacher decided that slitting his wife’s throat was a solution to their failing marriage and he intended to kill her.

That horrendous act of violence was the vocabulary that Mr. Martin communicated his hurt. He’s one of so many men who have not had the opportunity to explore and express their emotions in a healthy way, turning instead to violence.

I have looked up some extremely disturbing statistics for this week’s post to illustrate the catastrophic numbers of violence against women by men who cannot see another way to cope with their problems. From the Amnesty International website:

  • At least one in every three women, or up to one billion women, have been beaten, coerced into sex, or otherwise abused in their lifetimes  (L Heise, M Ellsberg, M Gottemoeller, 1999)
  • Up to 70% of female murder victims are killed by their male partners (WHO 2002)
  • In Bangladesh 50% of all murders are of women by their partners (Joni Seager, 2003)
  • In Pakistan 42% of women accept violence as part of their fate; 33% feel too helpless to stand up to it; 19% protested and 4% took action against it (Government study in Punjab 2001)
  • In Zambia five women a week were murdered by a male partner or family member (Joni Seager 2003)
  • In the USA a woman is battered, usually by her husband/partner, every 15 seconds (UN Study on the World’s Women, 2000)

Here in Canada, the Canadian Women’s Foundation cites half of Canadian women (51%) have experienced at least one incident of physical or sexual violence since the age of 16.

These numbers are frighteningly high. Why is this happening?

Marc Lepine, the gunman who murdered 14 women at Montreal’s Ecole Polytechnique before killing himself wrote in his suicide note that “feminists have ruined my life… The feminists always have a talent for enraging me. They want to retain the advantages of being women… while trying to grab those of men.”

Anthropologist David Gilmore finds that there has always been a tendency for men to fear and hate women: “Most men need women desperately and most men reject this driving need as both unworthy and dangerous.”  This love/hate dynamic, says Jed Diamond in The Irritable Male Syndrome, “is rooted in men’s unique dependency on women: boy relies on mother, and later relies on his wife for food preparation, domestic care, emotional support, and nurturing.”

Sociologist Michael Kimmel suggests that while “psychologists and feminists and the entire [US] legal system see male sexual aggression as the initiation of violence, guys describe it in a different way – not as an initiation but as retaliation… against the power that women have over them.”

In other words, some men are threatened by women encroaching on “their” territory, and there is a perceived inadequacy for a patriarchal / macho man to need and rely on a “weaker” woman in a society that demands male self-reliance and stoicism.

The Montreal massacre sparked concerns in Canadian men and in 1991, The White Ribbon Campaign was born, addressing violence against women (website here). To support the group and to wear a white ribbon is a personal pledge to never commit, condone or remain silent about violence against women and girls. The White Ribbon Campaign sees the future having no violence against women. As it should be.

However, it is one thing for a man to say that he will never be violent against a woman but it is completely another thing to nurture boys from birth, encourage them to communicate their feelings, and simply allow them to love. And so I turn to a brilliant feminist thinker, bell hooks, author of The Will to Change: Men, Masculinity, and Love.  I was overjoyed to read her book because I found a kindred spirit in her way of thinking about men.

“Feminist thinkers, like myself,” hooks writes, “who wanted to include men in the discussion were usually male-identified and dismissed. We were “sleeping with the enemy”. We were the feminists who could not be trusted because we cared about the fate of men. We were the feminists who did not believe in female superiority any more than we believed in male superiority.”

Male superiority, or patriarchy, is the exclusive social system that puts men in the dominant position above all else, and what hooks goes on to describe as a convention that “endowed [men] with the right to dominate and rule over the weak and to maintain that dominance through various forms of psychological terrorism and violence.”

She says that the patriarchy keeps men from knowing themselves and experiencing their emotions, from loving. “To know love, ” she says, “men must be able to let go the will to dominate.”

She also says, “Patriarchy demands of men that they become and remain emotional cripples.”

If any of you have read Bukowski’s Ham on Rye, you’ll understand what I mean when I say that it’s easy to create a deeply hurt and seethingly angry, violent, self-loathing man by mistreating him as a child. On top of this, add a heavy-handed expectation to conceal his feelings and swallow his natural emotions. And if he slips, let him have it.

“For many men, anger is the only emotion they have to express themselves,” says Jed Diamond, author of the Irritable Male Syndrome, “men are taught to “do” and as a result, men keep their emotions under wrap – they cannot show hurt, fear, worry, or panic.”

Hooks speaks at length about her experiences growing up with a brother just one year older, and how their gender roles were literally beaten into them by a patriarchal father who refused to accept his gentle and passive son and also refused to have an aggressive and competitive daughter.

“Something missing within” was a self-description I heard from many men as I went around our nation talking about love,” hooks explains, “Again and again a man would tell me about early childhood feelings of emotional exuberance, of unrepressed joy, of feeling connected to life and to other people, and then a rupture happened, a disconnect, that a feeling of being loved, of being embraced, was gone.

“Somehow the test of manhood, men told me, was the willingness to accept this loss, to not speak it even in private grief. Sadly, tragically, these men in great numbers were remembering a primal moment of heartbreak and heartache: the moment that they were compelled to give up their right to feel, to love, in order to take their place as patriarchal men.”

This idea is so sad to me. Manhood sounds like a sentence this way. I cannot imagine not being able to feel – it seems to me that I would explode. Young men can explode into violence and grown men explode in heart attacks and high blood pressure, both under serious stress, coping with a deafening and imposed silence, and no outlet to express themselves.

I see a lot of men walk around beaten, confused, abused, and bullied into patriarchal submission, and it breaks my heart. I think of this a crime against humanity.

We need to examine this social practice and start to heal from our patriarchal wounds, and to heal says hooks, we as a society need to stand by men and love them and support them, “offering a love that can shelter their wounded spirits as they seek to find their way home, as they exercise the will to change.”