Saint Patrick wearing the robes of a Catholic cleric, complete with mitre – a headdress that wasn’t invented until almost 200 years after his death.
Saint Patrick was born in Roman Britain in 387 and died on March 17, 461 in County Down, Ireland. He is the man who brought Christianity to Ireland and drove out the “snakes” (likely pagan Druids). March 17 is St. Patrick’s day, celebrated world-wide by Irish and non-Irish alike. (Find more about St. Patrick here.)
We recognize St. Patrick as man with a white beard in clerical robes and a mitre, carrying a crook, sometimes with a shamrock in his other hand. What’s interesting about this common image is that no one really knows what he looked like – there are no visual records of St. Patrick before the 13th century – 800 years after he died.
“The manner in which he has come to be depicted represents the culmination of over a thousand years of art, influenced by various texts and evolving belief systems, both localized and international,” says the Irish Royal Academy. In other words, his image has been appropriated by artists who depicted the saint in familiar and contemporary terms that people could relate to.
Until the 19th century, few Irish could read, unless they were monks and clergy, so people were educated through image and symbolism through the church. People of St. Patrick’s time would have understood the Catholic symbolism associated with St. Patrick’s garb, which was rife with allegory.
Clerical costume of the fifth century
Maewyn Succat – Saint Patrick’s real name, wears liturgical garb that has long, traditional associations with the Catholic Church. 20,000 Years of Fashion by Francois Boucher, says that clothing during the early Christian era was simple, and clothing was not gender-specific. “Originally the only difference between the elements of religious costume and those of lay clothing was the use of more sumptuous materials for the former.”
Clerics adopted fine linens and silks for their liturgical costume, and there was “an ever-increasing fondness for rich-coloured materials, especially among the Angles and Saxons,” according to A History of Costume, “and beautiful trimmings, gay braid, and fringes came into fashion”.
Catholic clerical wear has not evolved much since the early Christian era, so mostly, St. Patrick’s image is correct to period, but there are inauthentic – i.e. appropriated – features in our common understanding of what St. Patrick looks like. Let’s start at the top.
An Annunciation scene worked on a mitre from about 1400; pearls and silver-gilt motifs on silk.
The first and most obvious appropriation of St. Patrick is his headdress. The mitre, the pointed hat split in half that bishops and popes wear, is what we have come to associate with the saint, but mitres didn’t appear until the seventh century (St. Patrick died in the mid-fifth century).
In fact, Boucher says that bishops first wore a gold circlet lined with a crown, and in the 12th century, “the crown split into two lobes, one on either side… by the end of the 12th century, the points had moved around 90 degrees and were now back to front.” It hasn’t changed much since that time, though mitre heights have varied.
Were St. Patrick true to his period of the fifth century, he may have worn a hood or a soft skull cap instead of the mitre, but that St. Patrick is bestowed with this head piece that symbolized power in the church, indicates that the saint was highly regarded.
Pall (or Pallium)
The Y-shaped band of wool worn over the chasuble (below) is the pall, drenched in allegory that features six embroidered crosses to symbolize the nails used in Christ’s crucifixion.
The chasuble is a circular garment with an opening for the head, and adopted by the clergy in the fifth century. The saint’s chasuble is green, as expected (more on this later), and lined with golden fabric – a visual indication of St. Patrick’s position in the Catholic church.
According to Costume in England by F.W. Fairholt, “The chasuble signifies the robe of Christ, which is the Church. It is ample and closed on all sides, to show forth the unity and fullness of the true faith. The fore-part represents the state of the Church before the Passion of Christ; the back, the Church under the Gospel.”
At the same time, Fairholt suggests that the chasuble is symbolic of the purple garment that was put on Jesus Christ before he was crucified. Either way, the chasuble was heavy with meaning to Catholics of the early Christian era.
Dalmatic (or Dalmatica if you’re Roman)
Under the saint’s chasuble is his gold embroidered dalmatic. According to Fairholt, the dalmatic was associated with an immaculate life, or “of bountifulness towards the poor, because of its large and broad sleeves.” St. Patrick’s dalmatic is blue, the colour of the sky, which, to people of fifth century Britain, indicated divine contemplation.
According to 20.000 Years of Fashion, the pall began life as a large, draped Roman cape and narrowed over time to become the stole. Members of the Catholic clergy still wear long, embroidered stoles, draped around the neck.
Allegorically, the stole symbolizes the cords with which Christ was bound upon his crucifixion.
Saint Patrick’s base layer looks much like the dalmatic, but the alb is a long robe that reaches the feet. According to Costume in England, the alb was “not invariably made of linen cloth…[and] not necessarily white. It was originally intended to indicate the white garment which Pilate placed upon the Saviour after he had despised and mocked him.”
The alb symbolized purity and innocence. St. Patrick’s alb in the illustration appears to be white linen, but looking closer, it appears to have golden threads woven into the fabric. To Christians of St. Patrick’s era, gold signified purity, dignity, wisdom, and glory.
Our saint is probably wearing buskins, soft embroidered leather slippers of the fifth century.
The bishop’s crook is another ”recent” addition. Bishops carried the crook, a decorated shepherd’s hook, alluding to Christ the shepherd, in the 12th century.
St. Patrick in crimson and a short mitre with lappets – the white flaps on the head piece – worn during the 12th century) from a stained glass window in St. Patrick’s Cathedral, Dublin.
We expect St. Patrick to wear green because he is the patron saint of Ireland and green is synonymous with Ireland. In the top illustration, St. Patrick’s chasuble is green, the colour that symbolized cheerfulness and the goodness of God and of the Resurrection at the time he lived. But this, like the mitre, is something that has more of a modern association.
When clerics decided to dress in fine fabrics, they also dyed their clothing in colours symbolic to the early Christian faith. After an image search for St. Patrick, he can be seen dressed in green, also in blue, crimson, white, and yellow.
The Smithsonian magazine features what they believe to be the earliest depiction of St. Patrick from the thirteenth century: a man who wears not a mitre and cleric’s robes, but a simple, hooded, blue monk’s robe.
According to the Irish Journal, “Ireland’s history with the colour blue is largely related to its colonial history, but there are older associations too – Flaitheas Éireann, the embodiment of Irish sovereignty in mythological times (a sort of Irish answer to Uncle Sam), wore blue.”
When Henry VIII declared himself king of Ireland in 1541, he gave Ireland its own coat of arms: a golden harp on a blue background, and in 1783, “George III created a new order of chivalry for the Kingdom of Ireland, the Order of St. Patrick, its official color was a sky blue, known as St. Patrick’s Blue,” according to the Smithsonian. (Read more about the blue\green of Ireland.)
The colour green seems to be a differentiating colour linked to more recent Irish politics and independence, which eventually became associated with the Catholic population of southern Ireland. Green appears to be linked to Irish nationalism of the nineteenth century, “when the colour was adopted as a more striking way of separating Ireland from the various reds or blues that were now associated with England, Scotland and Wales,” the Irish Journal says.
So the St. Patrick that we imagine is actually a mixed collection of liturgical garments from different periods, and not based in the reality of his life. However, St. Patrick’s day is about celebration, and the splendor of his green robes, his flowing beard, the tall, fancy hat, and the golden crook gives us a more appealing image to raise our glasses to, rather than toasting a barefoot, blue-robed, tonsured monk with a chin beard.
Happy St. Patrick’s day!