Part two of our Savile Row series has links to a well-loved and heavily-influential band that shaped our modern musical world – The Beatles.
Back in the day, the “I buried Paul” phrase heard at the end of “Strawberry Fields Forever” claimed by conspiracy theorists to mean that Paul McCartney was dead, was supported by the image of Paul walking in bare feet across Abbey Road outside of Abbey Road Studios where the Beatles recorded. The idea was that John, in white, symbolized the preacher, Ringo in black, the undertaker or a mourner, Paul, presumed deceased (with a secret imposter taking his place in life and in the studio) in bare feet, and George in hard-wearing denim, the gravedigger.
Complete crap, of course. It turns out that the three of the four Beatles wore Tommy Nutter suits, the rebel tailor of Savile Row.
(Have a look at this interesting page with a short video about the famous cross walk, or “zebra crossing”.)
Nutter, together with his expert cutter, Edward Sexton, opened the influential Nutters of Savile Row in 1969. Nutter’s was a solid symbol of Swinging London – the shop had financial backing from singer Cilla Black (who also worked with Beatles producer George Martin and recorded in Abbey Road studios) and her husband Bobby Willis, who happened to be the Managing Director of the Beatles’ Apple Corps, Peter Brown, board member of Apple Corps and a one-time assistant to Beatles’ manager, Brian Epstein, and lawyer, James Vallance-White.
“Tommy was a one-man revolution, single-handedly responsible for introducing fashion to Savile Row, whilst committing the equally audacious act of inviting the fairer sex to share a world that had previously been the preserve of gentlemen.” (Source)
Nutter and Sexton were famous for their modern bespoke suits with wide lapels, and flared jackets nipped in a the waist, with accompanying flared trousers in bold colours and patterns that catered to posh businessmen and rock stars. Timothy Everest, then a young man who apprenticed with Nutter interviewed with The Arbuturian, said, “Tommy was very good at articulating to a new audience what bespoke was all about.”
Nice, but their clientele, especially during the late 60s, were unpredictable even at the upscale Mayfair address: “Tommy came to work one morning to find John Lennon and Yoko Ono standing naked in his shop window, and was later called over to Apple Studios to hear Hey Jude before it was released. “Paul and John asked him what he thought and he said it was a load of sh*t.””
Location, location, location
Carnaby Street, the leader of Swinging Sixties fashion was just a few blocks away from Savile Row. Carnaby Street was wildly popular among young people, offering cool mod gear by designers like Mary Quant in shops like Lord John. These young, hip, up-to-the-minute disposable fashions were quite different from the quality of the Savile Row tailors, but times were changing, and so were the neighbours.
The Beatles took over 3 Savile Row in 1969, setting up the offices of Apple Corps, each Beatle taking his own office in the five-storey building, a former gentleman’s club. It was here, or rather, the roof of #3 that became the stage for their final live performance and the Let It Be film that came of it.
For an excellent account of the day and the performance, see this link on the Beatles Bible webpage, and enjoy the music, recorded on the roof of Apple Corps, shocking bespoke-wearing business men and delighting fans who climbed up on their own roofs to see and hear this fantastic spectacle!
PS – Paul kicked off his shoes before walking on the zebra crossing because that day in August was warm